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With tracks and channels laid out logically and colour–coded, your session is easy to interpret, but there is more to do. I sometimes add the date to the end of each track name, as well. Short is nice, but track names become file names when you record or export, and I prefer long file names with greater clarity easier to look at than less informative short names. Drum channels and tracks are one colour, rhythm tracks another colour, and so on for leads and vocals. Colour–coding is tremendously helpful, especially if it correlates with the ways in which tracks are grouped.I group submixes at the right end near the Main Out fader and the output channels.
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For example, bus channels used for submixing or effects do not appear as tracks, only in the mixer.
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I do lots of submixing and use a fair number of folder tracks to keep things straight.
STUDIO ONE 3 FILE SAVE MP3 ARCHIVE
Give the new version a name indicating its status, such as ‘final mix, before archive prep’. Choosing the File / Save a New Version command is the first step in preparing your session. Studio One has the powerful ability to save multiple versions of the same session in a single document.
STUDIO ONE 3 FILE SAVE MP3 HOW TO
Each audio program has different ways and means, and here’s how to approach archiving/hand–off preparation in Studio One. Whether a project is complete and ready to be archived, or you’re preparing to hand off sessions for someone to mix, success in doing so will depend on how well you have arranged and organised the original sessions. Saving your work is always crucial, but documenting your work is equally important at the end of a production phase. Properly archiving your finished projects is vital.